PDF Download The Unconsoled, by Kazuo Ishiguro

PDF Download The Unconsoled, by Kazuo Ishiguro

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The Unconsoled, by Kazuo Ishiguro

PDF Download The Unconsoled, by Kazuo Ishiguro

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From Publishers Weekly

With this stunning new novel, cast in the form of a postmodern nightmare, Ishiguro tells a powerful story in which he once again exploits a narrator's utter lack of self-knowledge to create a devastating deadpan irony. A celebrated concert pianist identified only as Mr Ryder arrives at an unnamed European (seemingly Germanic) city not only to give a concert but also, it seems, to address the townspeople and help them surmount a communal sense of crisis that stems from the city's inability to nurture a musical artist of outstanding creative talent. Strangely, the economic, social and psychic health of the community depends on its regaining its self-image in the wake of a dreadful past mistake, when the city fathers lionized a musician with the "wrong" artistic values. Ryder intuits this situation gradually, for he is curiously disoriented; he can't really remember what he's supposed to be doing there. In fact, through Ryder's confused perceptions, the reader is immediately plunged into a surrealistic landscape that has the eerie unpredictability, claustrophobic atmosphere and strange time sequences of a dream. Everyone in this town presents a false image to the world. Each person Ryder meets addresses him with fawning obsequiousness and asks him for a small favor which turns out to be an egregious intrusion into his time. Yet Ryder, infused with an inflated sense of mission, feels a need to console them: "People need me. I arrive in a place and find terrible problems, and people are so grateful I've come." Although he initially thinks he's a stranger in the city, it slowly becomes obvious that he's been here before. In fact, he has been the lover of a woman called Sophie whose little boy, Boris, in many ways replays the pivotal events of Ryder's own life. With dream logic, many of Ryder's childhood friends from England turn up in this inhospitable place, and it becomes obvious that most events are replicas of ones that have occurred before or that fulfill Ryder's fears about the future. As in Ishiguro's previous books (The Remains of the Day, etc.), almost every turn of the plot concerns a failure of communication and a stifling of emotional responses. Children are profoundly wounded by their self-absorbed and insensitive parents; lovers alienate each other across an emotional abyss. The culture-obsessed inhabitants of the city don't recognize true talent when it appears; they disapprove of creativity when it doesn't fit their expectations. Sustaining the nightmarish atmosphere of this tale?its tone alternately sinister and farcical?for more than 500 pages is a tricky business, especially since all the characters express themselves in long, dense monologues. Yet, so adroit is Ishiguro in maintaining suspense that one is as ensnared in the nightmare as is Ryder. The story seems to be a journey through life: its purpose never entirely clear, its events capricious and inexplicable, its destination undoubtedly "the vast, dark, empty space" of the soul's extinction. 75,000 first printing; BOMC and QPB selections. Copyright 1995 Reed Business Information, Inc.

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From Library Journal

As stylistically distinctive as his acclaimed The Remains of the Day (LJ 10/1/89), Ishiguro's newest work offers a different kind of protagonist. While Remains's butler was at odds with himself (without knowing it), prominent concert pianist Ryder is at odds with his surroundings. Ryder arrives in an unidentified European city at a bit of a loss. Everyone he meets seems to assume that he knows more than he knows, that he is well acquainted with the city and its obscure cultural crisis. A young woman he kindly consents to advise seems to have been an old lover and her son quite possibly his own; he vaguely recalls past conversations. The world he has entered is a surreal, Alice-in-Wonderland place where a door in a cafe can lead back to a hotel miles away. The result is at once dreamy, disorienting, and absolutely compelling; Ishiguro's paragraphs, though Proust-like, are completely lucid and quite addictive to read. Some readers may find that the whole concept grinds too much against logic, but the pleasure here is that Ishiguro doesn't do anything so ordinary as trying to resolve events neatly, instead taking them at face value. Highly recommended.--Barbara Hoffert, "Library Journal"Copyright 1995 Reed Business Information, Inc.

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Product details

Hardcover: 535 pages

Publisher: Alfred A. Knopf; 1st edition (October 3, 1995)

Language: English

ISBN-10: 0679404252

ISBN-13: 978-0679404255

Product Dimensions:

6.8 x 2 x 8.8 inches

Shipping Weight: 1.7 pounds

Average Customer Review:

3.7 out of 5 stars

172 customer reviews

Amazon Best Sellers Rank:

#892,212 in Books (See Top 100 in Books)

This is a very hard read, long, eerie, with no concrete plot, disturbing, off-putting at times. I have read a few other Ishiguro's books and have always been highly impressed with his writing, so I kept reading in the hope that something will actually happen, that things that sounded simply absurd would suddenly make sense, that open questions would be answered. I thought that maybe there would be a "Never let me go" kind of "twist"...? But no: it took me to the end of the book to realize this is what this book is all about, exploiting the absurd. Once I accepted it, I found the whole thing brilliant - but what a fight it was!

Nearly 20 years after its first publication, this book continues to infuriate, mystify and beguile readers. Some claim to have explained it, and to have found out what it is all about. I am not one of them. Others have described it as utterly unintelligible. I am not one of those, either.I do, however, immensely admire Ishiguro as a writer with a singular brilliance at capturing the enigmatic. In that, he can be compared to the greatest writers in English. He does not write novels which have easy explanations. Rather, he addresses the aspects of life that can't be explained."The Unconsoled" does have a storyline, and a central character, a renowned concert pianist named Ryder, who somehow finds himself in a city at once strange and familiar, peopled with figures from his past, ruled by rituals he half-understands, split by fierce rivalries that he gropes to decipher.It appears that he is being asked to give the performance of a lifetime in a short while. But the day lengthens as the hour of the concert approaches, and Ryder moves through a world that is sometimes countryside, sometimes cityscape, associating with strangers who seem to know him, including a woman who seems to be his wife and a boy who seems to be his own child, and hearing about tumultuous events which are never explained.Many readers, unable to bear a novel with so many uncertainties, give up in frustration, and you will see that fully half of the reviews here are four stars or less.Among the highest praise given this novel came from Anita Brookner: 'Almost certainly a masterpiece.' That 'almost certainly' is amusing, a bit of insurance in case the critic is making a fool of herself.What is the book about? Is it the landscape of a man's unconscious mind? Is it about psychological disintegration? Is it actually a metaphor for Life itself, with a capital L?I have no hesitation in recommending this book very highly to all readers. Give it a go, see if you think it's a masterpiece, or 'impenetrable,' as one reviewer has decided. You may find, as I did, that this novel is one of the easiest to read, and most difficult to explain, of all 20th Century novels in English. But I hope you will also find that it is deeply rewarding.

My favorite of Kazuo Ishiguro's novels and that's saying something. This novel is a masterpiece. I think of it often, even long after the last time I read it. Highly recommended.

There are some dead-on reviews of THE UNCONSOLED on Amazon.com. These point out that Ishiguro has "written a book with the tone and [strange] action of a dream" that nonetheless moves Ryder, its protagonist, toward a momentous event that elicits "anxious and neurotic" feelings. At the same time, all the characters and their varied concerns form a tapestry where there are "irrational shifts in time, logic, and perspectives" and where all its players and events are "a part or an aspect of the dreamer." While this reader did not wish THE UNCONSOLED to be any longer, I did find this to be a peculiar and involving page-turner that is often quite funny. It's also a tour d force by Ishiguro who showed in this, his third, novel, that his subject was bigger than apprenticeship gone awry.Ultimately, the characters and events in this dreamlike narrative do lead to a psychological profile for Ryder that pulls all the weirdness together. Among the most important characters are Boris, a 12 year-old boy with a heightened sense of responsibility; Stephan, a talented-twenty something pianist who decides to test his ability in the wide world; and Brodsky, an elderly and once famous conductor whose achievement is unrecognized in his community. For each of these characters, Ishiguro creates moments of odd emotional rejection and unappeasable expectations. The meaning of these experiences, as well as similar moments in the lives of other "unconsoled" characters, then clarifies when Ishiguro finally delves into Ryder's relationship with his own parents. This concludes in a eureka-moment and helped this reader "get" the narrative, as well as pity Ryder for the strange emotional warmth he finds at the novel's end.THE UNCONSOLED is not for everybody. But it's a major book and is highly recommended.

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